Versace at the Plaza

Versace residences at The Plaza combine classic design with modern sensibilities

by Daphne Lioubin

Gallery

VERSACE AT THE PLAZA

Walking into the new model residences on the 12th floor of The Plaza, it is clear that this New York City landmark has reinvented itself. Your grandfather's Plaza would never have dreamed of sexy-cool décor by Versace. But today's Plaza-a sleeker, hipper, more contemporary version of itself-is letting its proverbial hair down, and appealing to a new, design-conscious market.

As part of its new aesthetic, Elad Properties, owner of The Plaza, asked Versace to design its first private residences, which serve as model homes for prospective buyers. The two condominiums-one one-bedroom and one two-bedroom-are contemporary environments that walk the line between the classic and the modern. That has long been the philosophy of the Versace fashion house.

"The Versace concept is a fusion between the classic and the contemporary," says Roberto Selva, director of the Home Collection Division of Versace, speaking from his office in Milan. "We've always been about classic Italian style with a modern interpretation."

The Plaza, in its renovation of the 1907 landmark hotel into a condominium tower, has employed the same philosophy. The architecture is pure turn-of-the-20th-century New York, but the interiors are sexy, minimalist and cutting-edge. In the Versace residences, palettes are kept monochromatic and lines simple and geometric.

The 2,656-square-foot, two-bedroom residence has been decorated in a black-and-white motif. Signature Versace Couture pieces like a Salomé bergere chair, unique chaise lounge and shadow black-lacquered dining chairs are upholstered in top-grain leather that feels luxuriously supple to the touch. In the living room, the sharp contrast of the black-and-white palette is offset by decadent touches, such as gilded crystal chandeliers, gold-embossed china and Chinese porcelain vases.

The study is the negative image of the formal rooms. The walls are black with white raised-panel moldings, and the furnishings are predominantly white leather with accents of chrome and black lacquer.

Though the décor appears severely modern at first glance, a closer look reveals details that suggest old-world craftsmanship. Some of the leather surfaces are embroidered with the Greek key-a symbol of antiquity-and some of the shapes (such as in the case of the Salomé chair) are classic. And the space itself, with its herringbone-patterned wood floors and raised-panel moldings on the walls, is faithful to the hotel's venerable roots.

"The space is very design-oriented," Selva says. "It has a strong fashion effect. All the fabrics are the finest available, and the craftsmanship is by top artisans. The beauty is in the details."



Page 1 | 2